| Ensemble Electra | ||
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Vicki Boeckman and Jillon Stoppels Dupree combine their acclaimed
musical talents to present recorder and harpsichord repertoire with
energy, passion and exuberance. They bring to music of all eras a
playful, expressive and personal style that appeals to audiences of all
ages. Their performances have been described as “brilliant and engaging
… “exuberant with an authoritative flair”…. “…a personal approach to the
listener…”
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Ensemble Electra with Ingrid Matthews and Margriet Tindemans Seattle-based Ensemble Electra performs with energy and passion the exciting dazzling and expressive 17th and 18th century repertoire for recorder, violin, viola da gamba and harpsichord. Their many years of experience, both as individual soloists and chamber musicians, has given them the perspective and authority to experiment with unique programming, resulting in highly innovative and dynamic performances. Their improvisatory, spontaneous performance style creates playful and engaging concerts which appeal to audiences of all ages.bookings |
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| Recorder Duo | ||
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Vicki Boeckman & David Ohannesian Recorder maker David Ohannesian and performing artist Vicki Boeckman join forces to present exciting and unique programs of recorder duets. The audience is lead through a garden of musical delights spanning nine centuries, each epoch with its own distinct flavor and harmony: the ethereal purity of the Middle Ages, the beauty and balance of the Renaissance, the ornamented elegance of the Baroque, and the energetic drive of our own time. David and Vicki use a variety of styles and sizes of recorders modeled after instruments from the 11th through 18th centuries, many made by David himself. They play works by Telemann, Matthias Maute, Thomas Morley, Osvaldo Lacerda o.a. |
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| Wood'N'Flutes | ||
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Founded in Copenhagen in 1999, Wood’N’Flutes (Vicki Boeckman, Pia Brinch Jensen, and Gertie Johnsson) has performed widely in Europe and the USA, captivating audiences with their unique mixture of virtuosity, grace, humour and charm. Wood’N’Flutes’ repertoire spans over 800 years, calling for recorders of all different sizes and historical types. The trio creates a seamless experience of aural and visual beauty by interweaving music with poetry and text readings and a surprising use of the performance space. For three consecutive years, Wood’N’Flutes in collaboration with harpist, Tine Rehling, was chosen as one of the Danish state ensembles to perform for grades K - 6 as a part of the Live Music in the Schools series. (Levende Musik i Skolerne). They adore performing for children and have written several short musical theatre pieces with interactive parts for children and their parents. Vicki, a California native who recently relocated to Seattle after 23 years of performing and teaching in Denmark, spearheaded their international ventures by organizing concerts and workshops in New England, the Pacific Northwest, the Bay Area and Arizona. Pia and Gertie reside and teach in Denmark, but the trio is determined to continue playing together in spite of the challenges of geography. Wood’N’Flutes has been on two American tours, one in January 2003 and another in March of 2005. They are hoping to return in spring of 2008. Wood’N’Flutes has commissioned and premiered several works by Danish composers. They recently received grants for their new recording project which will be compositions of living Danish composers. The recording will be completed in November of 06 and released in spring of 2007. Their first CD, Journey, has received critical acclaim in Europe and the United States.
RepertoireFrom the Medieval and Trecento:MachautDufay Perotin Danish Medieval Songs arranged by Wood'N'Flutes From the Baroque:Trios byEnergetic and engaging works by contemporary composers:
Matthias Maute
Willem Wander van Nieuwkerk
Fredrik Rzewski
Wood’N’Flutes takes great pride in including these works by Danish composers in their repertoire:Ole Buck’s Estampie, commissioned by Wood'N'Flutes, and premiered in 2004. Written in a mesmerizing minimalistic style, Buck uses techniques that look back to the 14th century Estampie. The estampie was a popular folk song/dance that Boccacio described as “excellent for distracting evil thoughts from the decadent youth… “ Flower Songs, originally written for three modern flutes by Hans Abrahamsen. Enticed by its range of expression and multilayered complexity, Wood'N'Flutes transcribe it for recorders with permission from Abrahamsen. This is one of their favorite and most demanding pieces. Madrigals by Mogens Pedersøn, Truid Aagesen and Hans Brachrogge, who were highly regarded and employed at the court of King Christian the IV in the 1600s. The hauntingly beautiful Farven Blå (The Color Blue) by Hans Henrik Brandt, was originally an unaccompanied work for solo flute that the trio tastefully transcribed for their own playing pleasure. Fløjteskov, (Flute Forest), dedicated to Wood'N'Flutes by organist Morten Nyord, who was inspired to write for them after they performed in his church in Vordingborg. This piece calls for the players to stand in three opposite ends of a room to enable the audience to experience sounds in a forest. |
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